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Stars Pulled Down

by Unextraordinary Gentlemen

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1.
The End Again (To be sung by FELIX, THE ROLLING FIRE): Smoke down to the daybreak every time & I am counting down to 1 from 99 The old gods are dead Here, take mine & we are counting down to 1 from 89 The end again mm-mm-mm The end again mm-mm-mm The end again mm-mm-mm Begin again Broke down in the gray smoke all the time & I am counting down to 1 from 69 The gold disc is descending Take your time We will be counting down to 1 from 49 The end again mm-mm-mm The end again mm-mm-mm The end again mm-mm-mm Begin again I burn down to the first light every time & I am counting down to 1 from 29 You smother me in reverie & we are counting down to 1 from-mm-mm The end again mm-mm-mm The end again mm-mm-mm I blaze again mm-mm-mm I raze for you mm-mm-mm Only for you mm-mm-mm I will rise ©2012 Malcom Schreeck
2.
The Drop 04:34
The Drop (To be sang by a FILTH PILGRIM): Remember they will remember you not how you lived Remember they will remember what you could not give Always looking out for others was my first mistake All things to all cost us all more than you think Mark my words, my dear You and I have you and me to fear Here we are at the drop I am the cream what make your days grow sour The hour has come I am changing your gold to lead I should have known you were never one for fighting I curse your virtue How could I have trusted you? Mark my words, my dear old friend You and I are getting closer to an end Here we are at the drop You believe in taking the easy way I believe in synchronicity You believe in things I cannot see I believe in the power of hypocrisy I am the grain what make the bread go bitter The winter has come No more field of dreams Your kind will delight to my demise I curse your virtue A curse on your virtue a curse on your virtue a curse of your virtue Mark my words my dear You and I have you and me to fear Here we are at the drop- at the drop Mark my words my dear You and I have you and me to fear Here we are at the drop Mark my words my dear You and I have you and me to fear Here we are at the drop Mark my words my friend You and I are getting closer to an end You will have your turn at the drop ©2012 Malcom Schreeck
3.
Elephant Head (To be sang by CLIVE THE BARKER): Captain Nobody he saw the elephant He tried to snuff it but candles like that stay lit Up goes the looking glass Look out world the future passes Alibis won't save us now Nobody listens Nobody cares Happened all too quickly Happened all too fast He cried out when she fell across the frightened creature's path In order to control his grief and make a plea at sanity There is no word as accident in his vocabulary “Atlantica” is under fire Captain Nobody has vengeance on his widowed brain He turned his tide of panic Nobody looks away Up comes his ire and bile Nobody hides away Down where the tears surround him Nobody stakes his claim Happened all too quickly Happened all too fast He cried out when she fell across the charging monster's path In order to avenge his love and for his child never born His wishing well is deep and red with iron clad and hammerhead Captain Nobody he fought the elementals He tried to snuff us out but candles like us work it out Down goes the serpentine Look below the Captain has gone Memories won't save him now Memories cannot save him at all Look out world Captain Nobody he saw the elephant He tried to snuff it out but candles like that stay lit Up goes the looking glass Look out world the future passes Alibis won’t save us now Nobody listens Nobody cares Happened all too quickly Happened all too fast He cried out when she fell across the charging monster's path In order to avenge his love and for his child never born His wishing well is deep and red with iron clad and hammerhead Happened all too quickly Happened all too fast He cried out when she fell across the line of their defense In order to control his grief and make a claw at sanity There is no word as accident There is no word as accident “Atlantica” is under fire Her beauty fell now from hell he chips away ©2012 Malcom Schreeck
4.
Carriage Driven Horses (To be sang by Lillian Wynn): The driven snow Shows you home A sugar cube trail Behold her pale coat It is a habit You cannot run from it It is a gamble you cannot win I do not and so you do I will not and so should you I halt and so you run I hurt and so will you Now you are forest for the trees blind Like carriage driven horses You have bit off more than you can The driven snow Shows you home A sugar cube promise Behold her pale coat You believe it keeps you You believe it keeps you warm I do not and so you do I will not and so should you I halt and so you run I hurt and so will you Now you are forest for the trees blind Like carriage driven horses You have bit off more than you can Now you are forest for the trees blind Like carriage driven horses You have bit off more than you can Now you are forest for the trees blind Like carriage driven horses overturning ©2012 Malcom Schreeck
5.
6.
Almost Imaginary (As sung by Malcom Schreeck, Prof. R. Mangrove & J. Francis): Moving forward never taking back a sense of freedom We never stay long we can hide our tracks Time and space mean nothing when we are Floating on something No it is nothing at all Like when you dream you're falling Almost imaginary Dreams cannot stop us We will slide through Dreams cannot stop us We will slide through Slippy in thistles invisible The first time was sidelong and always impossible Almost too good to be true This place will never be home but it will do Floating on something No it is nothing at all Like where you dream you're falling Almost imaginary Dreams cannot stop us We will slide through Dreams cannot stop us We will slide through (Dreams cannot stop us) Time and space mean everything (Dreams cannot stop us) Falling-falling-falling (Dreams cannot stop us) ©2012 Malcom Schreeck
7.
Kiss The Earth (To Be Sung By Mister Jaguar): Some of us have strange ways & some of us can't stay away & Some of us have wet ways Some of us have odd jobs & some of us have fine positions & Most of us survive the best we can All clay We are all clay Bone & muscle Work & play Around & round we go Where we fall we fall alone Clay to mud Flesh & blood Kiss the earth Kiss the dirt Some of us have leeway & some of us have gin ways & Some of us have toffee & some of us have the fear Some of us have shadow ways & some of us have righteous ways & some of us used to be so good at being bad Water to wine Parchment & twine Bone & muscle Work & play Around & round we dance Where we fall is all that lasts Clay to mud Flesh and blood Kiss the earth Kiss the dirt hey All clay We are all clay Bone and muscle Work and play So pull the lady from the lake This could be your great escape Clay to mud Flesh and blood Kiss the earth Kiss the dirt ©2012 Malcom Schreeck
8.
Lemon Lime Girls (To be sang by Clive the Barker): Lemon lime girl under the street lamp Pretty as sin all dressed in cholera Living dead girl pretending to enjoy Lemon lime girls live and learn lemon lime mm Syphilis and her sisters Jaundice and her muses Dancers on the broken glass Dancers on the broken glass Lemon lime boy turn for a coin Pretty as sin all dressed in cholera Dolly mop babies eat you alive Lemon lime boys live and learn lemon lime-lime Syphilis and her sisters Jaundice and her muses Dancers on the broken glass Dancers on the broken glass Syphilis and her sisters Jaundice and her muses Dancers on the broken glass Dancers on the broken glass Lemon lime girls against the green wall Pretty as sin bound up in cholera Lemon lime girls are what you expect to find In the blind love alley of crime love Lemon lime girls They do not have long Line their pockets Keep them warm Syphilis and her sisters Jaundice and her muses Dancers Dancers Lemon lime girls Lemon lime girls Lemon lime girls ©2012 Malcom Schreeck
9.
Dawn/ Worst of All (Traditional) Elijah the breaker boy has the black lung Elijah is one of the lucky few & it looks to me the rest of his story is no fun at all The caged bird has flown Dead and gone like all the others All the men and the boys All the boys in the mine Henry oh Henry the husband of Bonnie Oh Bonnie your man has left you & when it feels too cold Bonnie wears her dear Henry's coat The caged bird has flown Dead and gone like the others Lost in the tunnels Their narrow coal homes Worst of all were the children of Quincy They have a history of wandering When the ground fell down the twins were never found The caged bird has flown Dead and gone like the others All the rain is a black veil of suffering & it falls on the Caroline Mine The Caroline Mine Death and injury Under the surface Your sons and mine Suddenly silent ©2012 Malcom Schreeck
10.
One Eyed, Sleepy Eyed Cat (as sung by LokiBird)
11.
Rest Beyond the Bend (as sung by Squeezebox Sam)
12.
Old No. 9 05:17
Old No. 9 (To be sang by the SPIRITS OF THE OLD No. 9): We walk into the desert wind along the desert rail With bent hearts and stitched on wings Across the Tamarisk plains we tell our tale of woe To those who would hear such things We are the spirits-we are the spirits Arrived at the end of the line We are the spirits-we are the spirits The line that fell to earth We walk into the desert wind along the desert rail With bent hearts and stitched on wings across the Tamarisk Plains We are the spirits of the Old No. 9 We dine at the End of the Line We are the spirits of the Old No. 9 The line that fell to earth We look into the blasting sound along the mountain rail With ticking clicking flickering form across the windswept sands Where we are now Stars pulled down Where we are now Stars pulled down Gravity is slipping The caterwaul cry Happy as the devil in blue Gravity is slipping The caterwaul cry Happy as the devil in the blue suit Here come the devil in the blue suit We are the spirits Where we are now Stars pulled down Where we are now Stars pulled down ©2012 Malcom Schreeck
13.
Long Time Gone (To be sang by Ulysses Pomerantz): I will be gone for awhile Searching for my heart in the low places I will be out in the wild, wild spaces Hold me, child I'll be gone a long, long time I will be gone for awhile Searching for my heart in the low places I will be out in the wild, wild spaces Hold me, child I'll be gone a long, long time The bread is good the stove is warm You will be fine now you must be strong You cannot follow where I must roam The burden I must haul alone Your father loves you never doubt You will be always at my heart Your photograph in cameo Will keep me from the dark and cold I will be gone for awhile Searching for my heart in the low places I will be out in the wild, wild spaces Hold me, child I'll be gone a long, long time I will only be wrong when I am not strong enough I will only be hated when mistakes are made It will only be death when there is nowhere left in the world Nowhere left in the world It will only be cold while the storm holds It will only go bad when that is all I have It is only the end when there is no one left in the world No one left in the world Then I'll be running home to you I'll throw my loving arms around you I will be secure no more harm befalls you Until then I'll be a long time gone A long time gone A long time gone ©2012 Malcom Schreeck

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"The End Again" : An unbalanced mono-wheel enthusiast/arsonist witnesses humanoid creatures invade his northern town from the sea and believes they are stealing the moisture from the bodies of the townsfolk. After everyone dismisses him, he desperately rolls down a hill in one of his wheels, set aflame, into a shed full of homemade explosives, setting fire to Kerosene City and forcing the creatures back into the deep from whence they came.

"The Drop" : A condemned man on his way to the gallows curses his recent companion, who turned evidence against him in order to stay his own execution.

"Elephant Head" : A retired sailor recounts the legend of Captain Nobody, the infamous recluse and tragic antihero who turned his back on humanity after his pregnant wife was crushed by a frightened war elephant.

"Carriage Driven Horses" : Penelope Wynn has a big sister who reluctantly provides sanctuary for her sibling from time to time. On these rare visits, Lillian takes every opportunity to talk Penelope out of her dangerous life as the air-pirate known as Dread Penny.

"Apparatus in the Basement" : The Professor puts the final touches on his Time Chariot, a converted train car with external “ribs” of railway track, extra panels of bolts, and other assorted mechanisms of questionable origin and intent.

"Almost Imaginary" : Our heroes recount their general emotional struggles of having rode the rails of the impossible in the Time Chariot, ending up in this present age, trying to make it feel less like a strange and wondrous abomination against the natural universe(s) than it can ever hope to be.

"Kiss the Earth" : Before he was hired by Professor Mangrove to procure parts for the Time Chariot, Malcom spent some time out in the desert towns of the Tamarisk Plains, honing his parlor and confidence games alike. Between cons, though, he always took the opportunity to celebrate life and love, inviting as many townspeople as would join him for drunken celebration under the star-filled skies.

"Lemon Lime Girls" : In the industrial city of Two-Cradles, it can almost seem that life on the streets is better than working in the harsh conditions of the stinking, toxic factories that dominate the landscape. With rampant pollution and a strict ration on fresh food and potable water going mainly to those in the higher echelons of Two-Cradles' despot technocracy, however, disease and madness strike down all but the heartiest “fallen creatures”. Visitors to this lurid underworld best be on their guard. The “ladies” on these mean streets are one step from the grave and they'd love for you to join them.

"One Eyed, Sleepy Eyed Cat" : Homage to Lokibird, the titular creature and companion to J. Francis.

"Dawn/Worst of All" : The coal mining disaster of 1901, in the town of Caroline, left 90 workers dead and at least three people missing. Caroline was to never recover and only a stubborn few stayed on while the rest of the surviving families moved away to start over somewhere else.

"Rest beyond the Bend": Jerry was a coral monger. He liked this girl at the train station. Nothing lasts forever. Poor Jerry walked along those sunlit boards into the sunset and heard the whistle blowing.

"Old No. 9" : The ghosts of a train disaster in God-Only-Knows drifted away on the spirit wind, settling many miles west in the high desert of the Tamarisk Plains. Anyone can find them, if they know where to look. From the west side of the Crookback Mountains, follow the stretch of unfinished railway until it disappears into the sand and rock. Wait for a storm and keep walking until you think you can just make out a battered sign at an invisible crossroads. Follow the arrow, if you can find it, to the End of the Line and you'll either end up at the deserted ruins of some old outpost or in the glowing embrace of a welcoming inn. Have a drink. Sing a song. Hear a good ghost story.

"Long Time Gone" : A father leaves his daughter and sets out on a doomed quest to settle old scores, fulfill ancient debts, and complete his part of a grand and terrible agreement.

credits

released August 1, 2012

Produced by Unextraordinary Gentlemen
Additional Production & Mix by Barry Adamson
Additional Production & Recording by Dave Klein at Multisonic Studios in Highland Park, CA

Mastered by Michael Hateley at Lotus Mastering
Executive Produced by Darren “Penance” Spinelli

Guest piano on “Carriage Driven Horses” by Jill Tracy
Guest vocals on “Rest Beyond The Bend” by Squeezebox Sam
Additional keyboards & programming by Barry Adamson & Dave Klein

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